I’m drawn to slow processes, mistakes, and the texture of things made by hand. I develop my own film, scan it, and make manual prints and copies.

I’m obsessed with what isn’t immediately visible. I’ve kept dream journals for years, and lately I’ve been wondering how to translate the logic of dreams into images. I’m interested in exploring the relationship between image and consciousness.

I think of photography as a way of naming what is sometimes impossible to articulate. I work intuitively, guided by a form of knowledge that cannot always be explained, but that sets the rhythm and direction of the work.

Here, images, processes, and experiments coexist. The symbolic and the personal are constantly crossing paths.